É com muita alegria que compartilho meu credenciamento no Programa de Pós-Graduação em Letras da UERJ e o oferecimento de uma disciplina para alunos de mestrado em 2025.2. Em diálogo com meu projeto de pesquisa atual, o curso abordará alguns dos principais expoentes da literatura, do drama e da canção irlandesa a partir do século XX, com foco nos atravessamentos entre performance, crítica social e ativismo político. A ementa completa segue abaixo.
PROGRAMA DE DISCIPLINA 2025.2
| Área | ( ) Estudos de Língua | (X) Estudos de Literatura |
| Especialidade | ( ) Língua Portuguesa ( ) Linguística | ( ) Literatura Brasileira ( ) Literatura Portuguesa (X) Literaturas de Língua Inglesa ( ) Teoria da Literatura e Literatura Comparada |
| Nível | (X) Mestrado | ( ) Doutorado |
| Disciplina | Prosa narrativa |
| Tema | “Is their mammy Fine Gael and is their daddy Fianna Fáil?”: implicações estéticas do storytelling político na Irlanda |
| Professor(a) | Marcela Santos Brigida & Davi Pinho |
| Dia e horário | Terças-feiras, das 8:50h às 12:10h |
| Recursos audiovisuais | (X) Sim ( ) Não ( ) Eventualmente |
Ementa
Esta disciplina busca mapear como diferentes formas artísticas narram, performam e respondem ao cenário e aos conflitos políticos irlandeses nos séculos XX e XXI. Considera-se aqui a política em suas múltiplas dimensões: identitária, pós-colonial, de classe, de gênero e religiosa. Entre as sombras da Páscoa de 1916, as continuidades do Conflito da Irlanda do Norte, o boom do Tigre Celta e as reverberações do Brexit, exploraremos como artistas irlandeses têm construído respostas a discursos homogeneizantes acerca da identidade nacional, dando forma à memória coletiva e aos conflitos que atravessam a experiência insular. O curso articula teoria narrativa, teoria da performance e teoria política, propondo uma reavaliação das formas como o storytelling representa, critica ou reimagina a nação.
Programa
1.A ilha narrada: nação, território e identidade em Joyce, Yeats e Synge
2. Ecos do Conflito: vigilância, silêncio e linguagem em Burns, McNamee e Kennedy
3.Políticas do afeto e da precariedade: Carr, McPherson, McDonagh e Rooney
4.Canção, juventude e iconoclastia: O’Connor, Hozier e Fontaines D.C.
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