{"id":7,"date":"2024-09-10T02:17:59","date_gmt":"2024-09-10T02:17:59","guid":{"rendered":"https:\/\/readingwhilewalking.com\/portfolio-page\/"},"modified":"2025-02-08T18:27:40","modified_gmt":"2025-02-08T18:27:40","slug":"publications","status":"publish","type":"page","link":"https:\/\/readingwhilewalking.com\/pt\/publications\/","title":{"rendered":"Publica\u00e7\u00f5es selecionadas"},"content":{"rendered":"\n
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books <\/h2>\n\n\n\n

Edited and authored.<\/p>\n<\/div>\n\n\n\n

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Dickens in Brazil: A Tale of Two Cities in Students’ Voices<\/em>.<\/a> Edited by Marcela Santos Brigida and Victor Soares Lopes. Kellynch Press, 2024.<\/p>\n\n\n\n

Estudos Liter\u00e1rios: um breve manual de pesquisa<\/a><\/em>. Senhora Bennet.<\/p>\n<\/div>\n\n\n\n

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A vida de Charles Dickens<\/em>. Volume 01: 1812-1832<\/em><\/a>, de John Forster. Senhora Bennet. [Translation]<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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articles & essays<\/h2>\n\n\n\n

Full list available at ORCID<\/a> and Lattes<\/a>.<\/p>\n<\/div>\n\n\n\n

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\u201cReading-While-Walking: Books and Material Culture in Jane Eyre<\/em> (1847) and Milkman<\/em> (2018).\u201d Bront\u00eb Studies<\/em>, 14 Aug. 2024, pp. 1\u201316, https:\/\/doi.org\/10.1080\/14748932.2024.2379344. Accessed 15 Sept. 2024.<\/p>\n\n\n\n

\u201cTeaching and Reading Dickens in Brazil: A Tale of Two Cities as a Case Study.\u201d Dickens Quarterly<\/em>, vol. 41, no. 1, 1 Mar. 2024, pp. 80\u201395, https:\/\/doi.org\/10.1353\/dqt.2024.a920206.<\/p>\n\n\n\n

“First, I got myself born”: A Contemporary Take on Dickensian Motherhood in Demon Copperhead (2022). Victorians: A Journal of Culture and Literature<\/a>, Number 146, Winter 2024, pp. 107-122, https:\/\/doi.org\/10.1353\/vct.00010<\/a><\/p>\n<\/div>\n\n\n\n

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 \u201cMourning the Troubles: Anna Burns\u2019s Milkman as a Gendered Response to the Belfast Agreement.\u201d Ilha Do Desterro a Journal of English Language, Literatures in English and Cultural Studies<\/em>, vol. 74, no. 1, 28 Jan. 2021, https:\/\/doi.org\/10.5007\/2175-8026.2021.e74608.<\/p>\n\n\n\n

\u201cThere is a morn by men unseen\u201d: A close reading of Dickinson’s Paradise. Littera: Revista de Estudos Lingu\u00edsticos e Liter\u00e1rios, v. 9, n. 16, 25 Nov 2018<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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book chapters<\/h2>\n<\/div>\n\n\n\n
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“What is it that constitutes virtue, Mrs. Graham?”: uma releitura do projeto ficcional de Anne Bront\u00eb no ano do bicenten\u00e1rio. PPGL\/UERJ escritos discentes em literaturas de l\u00edngua inglesa, volume XIII<\/em>. Edited by Maria Aparecida Andrade Salgueiro; Leila Assump\u00e7\u00e3o Harris. Rio de Janeiro: Letra Capital, 2020, v. 1, p. 130-139.<\/p>\n\n\n\n

“But Alice, I’m still so glad we were born”: life as Zoe in Sally Rooney’s Beautiful World, Where Are You<\/em>. PPGL\/UERJ: escritos discentes em literaturas de l\u00edngua inglesa<\/em>. Edited by Adriana Jord\u00e3o, Davi Pinho, and Maria Concei\u00e7\u00e3o Monteiro.Rio de Janeiro: Letra Capital, 2021, v. , p. 174-183.<\/p>\n<\/div>\n\n\n\n

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“I don’t wanna be hers, I wanna be yours”: a can\u00e7\u00e3o e a performance de Alex Turner em AM<\/strong> (2013), do Arctic Monkeys. Literaturas de l\u00edngua inglesa: leituras interdisciplinares, vol. VIII<\/em>. Edited by Davi Pinho, Maria Concei\u00e7\u00e3o Monteiro. Rio de Janeiro: Letra Capital, 2023, v. 8, p. 95-106.<\/p>\n\n\n\n

“Eu realmente via nele um tirano”: Charlotte Bront\u00eb e a releitura do vil\u00e3o g\u00f3tico em Jane Eyre<\/em> (1847). Literaturas de l\u00edngua inglesa: leituras interdisciplinares, vol. VII<\/em>. Edited by Adriana Jord\u00e3o and Fernanda Medeiros. Rio de Janeiro: Letra Capital, 2022, v. VII, p. 71-83.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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fiction <\/h2>\n\n\n\n

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Ressurrei\u00e7\u00e3o. Contos. Concurso Liter\u00e1rio Os\u00f3rio Alves de Castro.<\/em> 1ed.Barreiras (BA): Universidade Federal do Oeste da Bahia, 2022, v. 1, p. 138-147. [in Portuguese]<\/p>\n<\/div>\n\n\n\n

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Paper Bag [short story<\/a>]<\/p>\n\n\n\n

Mourning Lane [short story<\/a>]<\/p>\n\n\n\n

Bad Influencer [short story<\/a>]<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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other work<\/h2>\n\n\n\n

Forewords, afterwords, and introductions.<\/p>\n<\/div>\n\n\n\n

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Por que George Eliot? Um esbo\u00e7o da escritora e de suas assinaturas. Middlemarch. <\/em>George Eliot, translated by Leonardo Fr\u00f3es. Editora Pinard, 2022. [Afterword]<\/p>\n\n\n\n

Pref\u00e1cio. Virginia Woolf: uma breve introdu\u00e7\u00e3o. <\/em>Lucas Leite Borba, Senhora Bennet, 2024. [Foreword]<\/p>\n\n\n\n

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Pref\u00e1cio. A pedra da lua. <\/em>Wilkie Collins. Ed. Pedrazul, 2022. [Introduction]<\/p>\n\n\n\n

A rainha dos romances de sensa\u00e7\u00e3o. As trevas de uma era. <\/em>Mary Elizabeth Braddon, Ed. Wish, 2022. [Introduction to a collection of short stories by Mary Braddon].<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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books Edited and authored. Dickens in Brazil: A Tale of Two Cities in Students’ Voices. Edited by Marcela Santos Brigida and Victor Soares Lopes. Kellynch Press, 2024. Estudos Liter\u00e1rios: um breve manual de pesquisa. Senhora Bennet. A vida de Charles Dickens. Volume 01: 1812-1832, de John Forster. Senhora Bennet. 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