{"id":210,"date":"2025-07-14T19:17:00","date_gmt":"2025-07-14T19:17:00","guid":{"rendered":"https:\/\/readingwhilewalking.com\/?p=210"},"modified":"2025-07-14T19:17:02","modified_gmt":"2025-07-14T19:17:02","slug":"disciplina-no-ppgl-uerj-2025-2-is-their-mammy-fine-gael-and-is-their-daddy-fianna-fail-implicacoes-esteticas-do-storytelling-politico-na-irlanda","status":"publish","type":"post","link":"https:\/\/readingwhilewalking.com\/pt\/disciplina-no-ppgl-uerj-2025-2-is-their-mammy-fine-gael-and-is-their-daddy-fianna-fail-implicacoes-esteticas-do-storytelling-politico-na-irlanda\/","title":{"rendered":"Disciplina no PPGL-UERJ (2025.2): \u201cIs their mammy Fine Gael and is their daddy Fianna F\u00e1il?\u201d: implica\u00e7\u00f5es est\u00e9ticas do storytelling pol\u00edtico na Irlanda"},"content":{"rendered":"\n

\u00c9 com muita alegria que compartilho meu credenciamento no Programa de P\u00f3s-Gradua\u00e7\u00e3o em Letras da UERJ<\/a> e o oferecimento de uma disciplina para alunos de mestrado em 2025.2. Em di\u00e1logo com meu projeto de pesquisa atual, o curso abordar\u00e1 alguns dos principais expoentes da literatura, do drama e da can\u00e7\u00e3o irlandesa a partir do s\u00e9culo XX, com foco nos atravessamentos entre performance, cr\u00edtica social e ativismo pol\u00edtico. A ementa completa segue abaixo.<\/p>\n\n\n\n

PROGRAMA DE DISCIPLINA 2025.2<\/strong><\/p>\n\n\n\n

\u00c1rea<\/strong><\/td>(   ) Estudos de L\u00edngua<\/td>(X) Estudos de Literatura<\/td><\/tr>
Especialidade<\/strong><\/td>(\u00a0\u00a0 ) L\u00edngua Portuguesa
(\u00a0\u00a0 ) Lingu\u00edstica<\/td>		(\u00a0\u00a0 ) Literatura Brasileira (\u00a0\u00a0 ) Literatura Portuguesa
(X) Literaturas de L\u00edngua Inglesa
(\u00a0\u00a0 ) Teoria da Literatura e Literatura Comparada<\/td><\/tr>
N\u00edvel<\/strong><\/td>(X) Mestrado<\/td>(  ) Doutorado<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Disciplina<\/strong><\/td>Prosa narrativa<\/td><\/tr>
Tema<\/strong><\/td>\u201cIs their mammy Fine Gael and is their daddy Fianna F\u00e1il?\u201d: implica\u00e7\u00f5es est\u00e9ticas do storytelling<\/em> pol\u00edtico na Irlanda<\/td><\/tr>
Professor(a)<\/strong><\/td>Marcela Santos Brigida & Davi Pinho<\/td><\/tr>
Dia e hor\u00e1rio<\/strong><\/td>Ter\u00e7as-feiras, das 8:50h \u00e0s 12:10h<\/td><\/tr>
Recursos audiovisuais<\/strong><\/td>(X) Sim    (   ) N\u00e3o   (  ) Eventualmente<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Ementa<\/strong><\/p>\n\n\n\n

Esta disciplina busca mapear como diferentes formas art\u00edsticas narram, performam e respondem ao cen\u00e1rio e aos conflitos pol\u00edticos irlandeses nos s\u00e9culos XX e XXI. Considera-se aqui a pol\u00edtica em suas m\u00faltiplas dimens\u00f5es: identit\u00e1ria, p\u00f3s-colonial, de classe, de g\u00eanero e religiosa. Entre as sombras da P\u00e1scoa de 1916, as continuidades do Conflito da Irlanda do Norte, o boom<\/em> do Tigre Celta e as reverbera\u00e7\u00f5es do Brexit, exploraremos como artistas irlandeses t\u00eam constru\u00eddo respostas a discursos homogeneizantes acerca da identidade nacional, dando forma \u00e0 mem\u00f3ria coletiva e aos conflitos que atravessam a experi\u00eancia insular. O curso articula teoria narrativa, teoria da performance e teoria pol\u00edtica, propondo uma reavalia\u00e7\u00e3o das formas como o storytelling<\/em> representa, critica ou reimagina a na\u00e7\u00e3o.<\/p>\n\n\n\n

Programa<\/strong><\/p>\n\n\n\n

1.\u2060\u2060A ilha narrada: na\u00e7\u00e3o, territ\u00f3rio e identidade em Joyce, Yeats e Synge<\/p>\n\n\n\n

2.\u2060\u2060 Ecos do Conflito: vigil\u00e2ncia, sil\u00eancio e linguagem em Burns, McNamee e Kennedy<\/p>\n\n\n\n

3.\u2060Pol\u00edticas do afeto e da precariedade: Carr, McPherson, McDonagh e Rooney<\/p>\n\n\n\n

4.\u2060\u2060\u2060Can\u00e7\u00e3o, juventude e iconoclastia: O\u2019Connor, Hozier e Fontaines D.C.<\/p>\n\n\n\n

Bibliografia Inicial<\/strong><\/p>\n\n\n\n

Anderson, Benedict R. O\u2019G. Imagined Communities: Reflections on the Origin and Spread of Nationalism<\/em>. 3. ed. London\/New York: Verso, 2006<\/p>\n\n\n\n

Good Friday Agrement. The Agreement: Agreement Reached in the Multi-party Negotiations, 10 April 1998 (Good Friday or Belfast Agreement)<\/em>, 1998. Available at: http:\/\/cain.ulst.ac.uk\/events\/peace\/docs\/agreement.htm<\/a> Accessed on: 27 Jul. 2021. <\/p>\n\n\n\n

Ahmed, Sara. The Cultural Politics of Emotion<\/em>. 2. ed. Edinburgh: Edinburgh University Press, 2014.<\/p>\n\n\n\n

ARDOYNE COMMEMORATION PROJECT. Ardoyne: The Untold Truth. Belfast: Beyond the Pale Publications, 2002. Available at: https:\/\/cain.ulster.ac.uk\/issues\/victims\/ardoyne\/ardoyne02a.htm#contents<\/a> Accessed on: 28 Jul. 2021. <\/p>\n\n\n\n

 Alcobia-Murphy, Shane. \u201cRecovery and Forgetting: Haunting Remains in Northern Irish Culture\u201d. In: DILLANE, Fionnuala; MCAREAVEY, Naomi; PINE, Emilie (Eds.). \u202fThe Body in Pain in Irish Literature and Culture<\/em>. London: Palgrave Macmillan, 2016, pp. 199-215. <\/p>\n\n\n\n

Benjamin, Walter. The Storyteller: Reflections on the Work of Nikolai Leskov. <\/em>In: BENJAMIN, Walter; TITAN, Samuel. The Storyteller Essays. <\/em>New York: The New York Review of Books, 2019, p. 59-81. (1936) <\/p>\n\n\n\n

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Brannigan, John. Northern Irish Fiction: Provisionals and Pataphysicians. In: ENGLISH, James F. (Ed.). A Concise Companion to Contemporary British Fiction<\/em>. Malden, MA: Blackwell Publishing, 2006. p. 141-163. <\/p>\n\n\n\n

Burns, Anna. Little Constructions. <\/em>London: 4th<\/sup> Estate, 2018. (2007) <\/p>\n\n\n\n

Burns, Anna. Milkman. <\/em>London: Faber and Faber, 2018. <\/p>\n\n\n\n

Burns, Anna. No Bones. <\/em>London: 4th <\/sup>Estate, 2018. (2001) <\/p>\n\n\n\n

Butler, Judith. Giving an Account of Oneself. <\/em>New York: Fordham University Press, 2005. <\/p>\n\n\n\n

Butler, Judith. Precarious Life: The Powers of Mourning and Violence. <\/em>New York: Verso, 2004.  <\/p>\n\n\n\n

Caldwell, Lucy. Where They Were Missed. <\/em>London: Viking, 2006. <\/p>\n\n\n\n

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Cox, Michael. Northern Ireland: The War That Came in from the Cold. Irish Studies in International Affairs<\/em>, v. 9, n. 1, p. 73-84, 1998b. <\/p>\n\n\n\n

Dawson, Graham. Making Peace with the Past? Memory, trauma, and the Irish Troubles<\/em>. Manchester: Manchester University Press, 2007 <\/p>\n\n\n\n

Deleuze, Gilles; Guattari, F\u00e9lix. A Thousand Plateaus: Capitalism and Schizophrenia<\/em>. Minneapolis: University of Minnesota Press, 2005. (1987) <\/p>\n\n\n\n

Derrida, Jacques. Plato\u2019s Pharmacy. In: <\/em>RIVKIN, Julie; RYAN, Michael. (Eds.). Literary Theory: An Anthology. <\/em>Malden, MA: Blackwell Publishers, 1998. p. 429-450. (1972) <\/p>\n\n\n\n

Dixon, Paul. Northern Ireland and the International Dimension: The End of the Cold War, the USA and European Integration. Irish Studies in International Affairs<\/em>, v. 13, n. 1, p. 105-120, 2002. <\/p>\n\n\n\n

Felksi, Rita; Friedman Susan Stanford. (Eds.). Comparison<\/em>: Theories, Approaches, Uses. Baltimore: The Johns Hopkins University Press, 2013. <\/p>\n\n\n\n

Fontaines D.C. Skinty Fia<\/em>. Partisan Records, 2022.<\/p>\n\n\n\n

Gallen, Michelle. Big Girl, Small Town. <\/em>London: John Murray, 2020. <\/p>\n\n\n\n

Gilroy, Paul. The Black Atlantic: Modernity and Double Consciousness<\/em>. Cambridge, MA: Harvard University Press, 1995.<\/p>\n\n\n\n

Hirsch, Marianne. The Generation of Postmemory: Writing and Visual Culture After the Holocaust<\/em>. New York: Columbia University Press, 2012<\/p>\n\n\n\n

Hozier. Unreal Unearth<\/em>. Columbia Records, 2023.<\/p>\n\n\n\n

Ireland. Department of External Affairs. Texts concerning Ireland’s position in relation to the North Atlantic Treaty (Dublin: Stationery Office, 1950 – P. No. 9934), presented to both Houses of the Oireachtas by the Minister for External Affairs on 26 April 1950; see Parliamentary Debates – Ddil Eireann, 120, 110. 2.  <\/p>\n\n\n\n

Ireland., aide-memoire from the Irish government to the United States government, 9 February 1949. <\/p>\n\n\n\n

Irigaray, Luce. Women on the Market. In: <\/em>IRIGARAY, Luce. This Sex Which Is Not One. <\/em>Translated by Catherine Porter and Carolyn Burke. New York: Cornell University Press, 1985. p. 170-191. <\/p>\n\n\n\n

Jennings, Ken. What ‘Beyond the Pale’ Actually Means. 10 October 2016. Cond\u00e9 Nast Traveler.<\/em> Available at: https\/\/www.cntraveler.com\/story\/what-beyond-the-pale-actually-means<\/a> Accessed on: 28 Nov. 2021. <\/p>\n\n\n\n

JOINT DECLARATION ON PEACE: The Downing Street Declaration, 15 December 1993. Available at: http:\/\/cain.ulst.ac.uk\/events\/peace\/docs\/dsd151293.htm<\/a> Accessed on: 29 Jul. 2021. <\/p>\n\n\n\n

Joyce, James. A Portrait of the Artist as a Young Man: A Norton Critical Edition<\/em>. 2.\u202fed., London and New York: W. W. Norton, 2021.<\/p>\n\n\n\n

Keenan-Thomson, Tara. Irish Women and Street Politics 1956 – 1973<\/em>. Dublin: Irish Academic Press, 2010. <\/p>\n\n\n\n

Kelly, Aaron. Geopolitical Eclipse: Culture and the Peace Process in Northern Ireland.\u202fThird Text, <\/em>v.\u202f19, n. 5, p. 545-553, 2005. <\/p>\n\n\n\n

Kennedy, Louise. Trespasses. <\/em>London: Bloomsbury, 2022.<\/p>\n\n\n\n

Kennedy-Andrews, Elmer. Fiction and the Northern Ireland Troubles since 1969<\/em>: (de-)constructing the north. Dublin: Four Courts Press, 2003 <\/p>\n\n\n\n

Keogh, Calvin W. The Critics\u2019 Count: Revisions of Dracula and the Postcolonial Irish Gothic. Cambridge Journal of Postcolonial Literary Inquiry<\/em>, v. 1, n. 2, p. 189-206, 2014.  <\/p>\n\n\n\n

Kiberd, Declan. The riotous history of The Playboy of the Western World. The Guardian.<\/em> Available at: https:\/\/www.theguardian.com\/stage\/2011\/sep\/23\/playboy-western-world-old-vic<\/a> Accessed on: 26 Nov. 2021. <\/p>\n\n\n\n

Kilroy, Claire. \u201cMilkman by Anna Burns review \u2013 creepy invention at heart of an original, funny novel\u201d. The Guardian.<\/em> 31 May 2018. Available at: https:\/\/www.theguardian.com\/books\/2018\/may\/31\/milkman-anna-burns-review-northern-ireland. Accessed on: 27 July 2021. <\/p>\n\n\n\n

Laub, Dori. Truth and Testimony: The Process and the Struggle In: CARUTH, Cathy (Ed.). Trauma: Explorations in Memory.<\/em> Baltimore: Johns Hopkins University Press, 1995. p. 61-75. <\/p>\n\n\n\n

Lehner, Stefanie. Crossings Northern Irish Literature from Good Friday to Brexit. In: FALCI, Eric (Ed.). Irish Literature in Transition: 1980\u20132020<\/em>. Cambridge: Cambridge University Press, 2020, pp. 136-151. <\/p>\n\n\n\n

Lehner, Stefanie. The Peace Process as Arkhe-taintment? Glenn Patterson’s That Which Was <\/em>and Eoin McNamee’s The Ultras<\/em>.\u202fIrish Studies Review<\/em>\u202fv. 15, n. 4, p. 507-520, 2007. <\/p>\n\n\n\n

Magennis, Caroline. Fiction from Northern Ireland 1921\u20132015. In: INGMAN, Heather; \u00d3 GALLCHOIR, Cl\u00edona (Ed.). A History of Modern Irish Women’s Literature<\/em>. Cambridge: Cambridge University Press, 2018, pp. 365-382. <\/p>\n\n\n\n

Mbembe, Achille. Necropolitics. Translated by Libby Meintjes. Public Culture, <\/em>v. 15, n. 1, p. 11-40, 2003. <\/p>\n\n\n\n

McClements, Freya. International Dublin Literary Award: Anna Burns becomes first Irish woman to win \u20ac100,000 prize. The Irish Times. <\/em>22 Oct. 2020. Available at: https:\/\/www.irishtimes.com\/culture\/books\/international-dublin-literary-award-anna-burns-becomes-first-irish-woman-to-win-100-000-prize-1.4388183<\/a> Accessed on: 05 Dec. 2021.  <\/p>\n\n\n\n

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<\/p>\n","protected":false},"excerpt":{"rendered":"

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